{"id":3114,"date":"2014-03-20T23:59:23","date_gmt":"2014-03-21T03:59:23","guid":{"rendered":"http:\/\/www.movienight.richardlohr.com\/stuff\/?p=3114"},"modified":"2014-03-25T23:21:47","modified_gmt":"2014-03-26T03:21:47","slug":"movienight-thursday-march-20th","status":"publish","type":"post","link":"https:\/\/www.movienight.richardlohr.com\/stuff\/?p=3114","title":{"rendered":"The Passenger. A road trip with personal meaning."},"content":{"rendered":"<p><a href=\"http:\/\/www.movienight.richardlohr.com\/stuff\/wp-content\/uploads\/2014\/03\/passenger_640x360.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-3122\" title=\"Maria in the back seat. Splendid.\" alt=\"\" src=\"http:\/\/www.movienight.richardlohr.com\/stuff\/wp-content\/uploads\/2014\/03\/passenger_640x360.jpg\" width=\"640\" height=\"360\" srcset=\"https:\/\/www.movienight.richardlohr.com\/stuff\/wp-content\/uploads\/2014\/03\/passenger_640x360.jpg 640w, https:\/\/www.movienight.richardlohr.com\/stuff\/wp-content\/uploads\/2014\/03\/passenger_640x360-300x168.jpg 300w\" sizes=\"(max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p>Sometime in the 70&#8217;s, I went on a road trip to NYC from southern Ontario with my great friend and film-maker Andrew Ruhl. We had a twofold mission: to have a (now particularly rare, and perhaps obsolete) Oxberry animation camera repaired at a specialist repair shop in the Bronx, and to scout locations for a new film project he was planning. We made the journey in style in a VW bug, and checked into a sleazy hotel in the then pre-Disneyfied Times Square. Of course, we worked hard scouting locations, but also took time along the way to enjoy New York.<\/p>\n<p>Part of that enjoyment included visiting an Italian film festival which was being screened at Carnegie Hall. Two films made a huge impact. One was Bernardo Bertolucci&#8217;s <em>1900 (Millenovecento)<\/em> which united an impressive cast of mainstream international actors in an epic depiction of Italy&#8217;s descent into fascist rule, as it followed two friends born on the same day at the turn of the last century&#8230; one a peasant (Depardue), the other an aristocrat (DeNiro). I will never forget this film, and were it not for its four and a half hour length, I would show it at MovieNight. Maybe one day. (Remember <em>Mysteries of Lisbon<\/em>, replete with macaroni and cheese intermission? Not many awake after the intermission, including yours truly).<\/p>\n<p>The other film was a wonderfully haunting piece by Michelangelo Antonioni, entitled <em>Il Grido (The Cry)<\/em>. Stark, bleak, and desperate, yet so beautiful and haunting. Antonioni went on to make several English language films, of which <em>The Passenger<\/em> is the best, in my humble opinion. I&#8217;m happy that so many of you came out to see it, and were moved in a way that I was moved at Carnegie Hall so many years ago. Not comparing, just compering.<\/p>\n<p>And, Andrew&#8230; I&#8217;m sorry I couldn&#8217;t bring my prudish self to take you up on your generous offer to avail myself of the ubiquitous offer, &#8220;Check it out! Complete satisfaction! Just $10! Check it out!&#8221; at your expense. But, I must admit, I&#8217;m still happy I didn&#8217;t. I love you, my friend.<\/p>\n<p style=\"text-align: left;\">More about this film on IMDb <a title=\"IMDb\" href=\"http:\/\/www.imdb.com\/title\/tt0073580\/\" target=\"_blank\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-348\" title=\"imdb\" alt=\"imdb\" src=\"http:\/\/www.movienight.richardlohr.com\/stuff\/wp-content\/uploads\/2010\/02\/imdb.gif\" width=\"31\" height=\"15\" \/><\/a><\/p>\n<p style=\"text-align: left;\">\n","protected":false},"excerpt":{"rendered":"<p>Sometime in the 70&#8217;s, I went on a road trip to NYC from southern Ontario with my great friend and film-maker Andrew Ruhl. We had a twofold mission: to have a (now particularly rare, and perhaps obsolete) Oxberry animation camera repaired at a specialist repair shop in the Bronx, and to scout locations for a &hellip; <a href=\"https:\/\/www.movienight.richardlohr.com\/stuff\/?p=3114\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">The Passenger. A road trip with personal meaning.<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":3119,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[4],"tags":[],"_links":{"self":[{"href":"https:\/\/www.movienight.richardlohr.com\/stuff\/index.php?rest_route=\/wp\/v2\/posts\/3114"}],"collection":[{"href":"https:\/\/www.movienight.richardlohr.com\/stuff\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.movienight.richardlohr.com\/stuff\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.movienight.richardlohr.com\/stuff\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.movienight.richardlohr.com\/stuff\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3114"}],"version-history":[{"count":9,"href":"https:\/\/www.movienight.richardlohr.com\/stuff\/index.php?rest_route=\/wp\/v2\/posts\/3114\/revisions"}],"predecessor-version":[{"id":3135,"href":"https:\/\/www.movienight.richardlohr.com\/stuff\/index.php?rest_route=\/wp\/v2\/posts\/3114\/revisions\/3135"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.movienight.richardlohr.com\/stuff\/index.php?rest_route=\/wp\/v2\/media\/3119"}],"wp:attachment":[{"href":"https:\/\/www.movienight.richardlohr.com\/stuff\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3114"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.movienight.richardlohr.com\/stuff\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3114"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.movienight.richardlohr.com\/stuff\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3114"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}