Location: Austrian alps. Pretty, free-spirited (dare I say “Maverick”?) nun sent from convent to be governess to seven unruly, motherless children. Handsome, aristocratic father rules his children with totalitarian authority. Wealthy, cold-hearted sophisticate contrives to marry the father. Meanwhile, the Nazi machine has taken over Austria in the “Anschluss”, and there are bad guys everywhere. On top of all this, the cast is singing frequently throughout the practically three-hour duration. How could this be good?

Somehow it is. Somehow it’s marvelous. The Sound of Music made a perfect finale to our MovieNight season! Some of our guests had never seen it… they were lucky to see the crisp and colorful Blu ray transfer, rather than stumble upon it in a late-night television presentation. Julie Andrews charmed us, of course. When Flea took exception (seemingly… he’s not that smart) to a line about animals and started barking at the screen, we wept with laughter.

After the movie, we gave away a lot of lovely raffle prizes, and Acacia eventually managed to destroy the pinata that Betty-Sue had generously supplied. Another great MovieNight season finale!

Until September… so long, farewell, Auf wiedersehen, adieu…

More about this film on IMDb

City Lights may have been Chaplin’s anti-talkie holdout, and Modern Times a sub-futurist footnote to Rene Clair, but Dictator was something new. A case of conceptual postmodern brio, the film arose from the bipolar synchronicity between two little men with toothbrush mustaches born four days apart and then simultaneously world-famous for years running. (“He’s the madman, I’m the comic. But it could have been the other way around,” Chaplin was quoted as saying.) The result is an unrepeatable explosion of doubling the most renowned entertainer in the world laying his own persona down on the railroad tracks of fascist mania. It was the first film to josh about genocide, even as it was still in the planning stage. If we’re a trifle inured to Nazi jokes by now, Chaplin’s high-spirited mockery shouldn’t be taken for granted: Production began in 1937, before even the annexation of Austria, and when it was finally released ripping Hitler every which way and derisively airing the matters of concentration camps, mass slaughter, and “MARVelous poison gas!” the U.S. was still neutral.

As an individual political act, it marched alone in Golden Age Hollywood. (Think about how spineless Oliver Stone’s W. looks by comparison.) Like all major Chaplin works, Dictator was a cheaply, but methodically, made film, a cardboard act of humanist defiance, and, thanks to its purity of purpose, the cheesier the jokes get (famously, the German language itself receives a phlegmatic hosing), the harder they land. Reportedly, Hitler banned it, then watched it alone twice.

Review by Michael Atkinson for the Village Voice

More about this film on IMDb